Credits

Stephanie & Joel Greenberg and Laurie Sonsino for carefully reviewing the audio/visuals, and for their detailed recommendations.

Special thanks to:

Carmelita Biggie and The Helen F. Whitaker Fund
Otto & Carole Haas and The William Penn Foundation
Ted & Stevie Wolf

For providing significant support during my early years of experimentation incorporating visual elements into classical music concerts. Much gratitude is owed them for “taking a chance” and supporting what was then a relatively new concept. Without their initial help, the multimedia production presented here would not have been possible. — Marc Mostovoy

The late George K. Diehl, Ph.D., for co-authoring selected program notes with Marc Mostovoy 

Much appreciation for the suggestions offered by the following individuals:

David Bartram
Richard & Nancy Brail
Susanna Briselli
Jane Fox
Eric & Hannie Hahn
Bernard Havard
Fred Kahan
Pat Kidd
Betty Mock
Katherine Riley
Robert Rossman
John Welch

The following publications were consulted:

Booth, John. Vivaldi. Omnibus Press, 1989.
Bukofzer, Manfred F. Music in the Baroque Era. W. W. Norton & Company, 1947.
Everett, Paul. Vivaldi: The Four Seasons and other concertos, Op. 8. Cambridge University Press, 1996.
Everett, Paul. Informazioni E Studi Vivaldiani. Vivaldi Concerto Manuscripts in Manchester: I. Ricordi, 1984.
Grout, Donald Jay. A History of Western Music. W. W. Norton & Company, 1960.
Kolneder, Walter. Antonio Vivaldi: His Life and Work. University of California Press, 1970.
Landon, H. C. Robbins. Vivaldi: Voice of the Baroque. The University of Chicago Press, 1993.
Talbot, Michael. Vivaldi. Schirmer Books, 1992.

Program/liner notes of several authors.  

Previous slide
Next slide